Week 28: Brocas Helm - Prepare for Battle

The artist: Brocas Helm were quite a big name in the American traditional metal scene yet they seem to have done so little. Bob Wright formed the band in 1981 and only released three albums. The first two were in 1984 and 1988 while the most recent one Defenders of the Crown was released in 2004, 16 years after Black Death. Unfortunately, the band recently broke up after making their final show in April. It's a damn shame they never even made an appearance in the UK since their song appearances in Brutal Legend. I would have taken the one and only chance to see them live.

The album: Black Death is the second Brocas Helm album released in 1988. The album is short but sweet with a 29 minute duration in total. All eight tracks are great rocking tunes with the highlights being the speed metal frenzies Fall of the Curtain and the title track, the flute ballad Prophet's Scream and the strong medieval feel of The Chemist. This and Defenders of the Crown are worth picking up.

The song: Prepare for Battle might be rather simple in terms of lyrics but damn, if you want to have a song that makes you feel ready to go in a battlefield and slay whatever fiends try to get in your way, this is the one to hear. The riffs in this song are very fast as well as having some sweet basslines by Jim Schumacher that even SHRED during the solo at the end. The speed of the song and the song structure with the solo at the end makes it very fast pace and you'll be surprised at how fast a mere three minutes go with this song. Overall, Prepare for Battle is a great song by Brocas Helm and shows what they were capable of doing. It's a damn shame the band didn't stick around to make just one more album.

Manilla Road to the World - Part 1: Cage of Mirrors (Metal)

Metal is Manilla Road's second/third album released in 1982. The band recorded an entirely different album a year before that never saw the light of day until 2002 when it was picked up by Monster Records to clear up the master tapes and release it under the name Mark of the Beast. Metal shows a heavier approach to the band from the debut album. Although Mark Shelton's vocal performance was still lacking here and there, he definitely improved in this album. The songs overall had more reasonable track lengths which makes it an easier listening experience. Most of the tracks aren't some of the greatest performance by the band but the speed metal opener Enter the Warrior, the shortened and improved Far Side of the Sun and the epic Cage of Mirrors (today's pick for Manilla Roadkill) are worth additions to the Road.

Cage of Mirrors stands as the longest song in Metal. The song stars with a slow acoustic intro and with Mark Shelton's soft voice with a great echo. After the intro section, the song is struck with a damn heavy riff and for heavy metal's standards in 1982, these riffs are extreme and not many songs from that year were as heavy and loud as these riffs. There's a touch of doom and thrash to the riffs as well and this was around the time when thrash metal was starting to rise in the metal scene. The song's structure goes back and forth with the acoustic and heavy sections of the song but it works for the more intense parts of the lyrics which cover the story of a dark sorcerer making his attempt to open the gates of hell and summon Lucifer. It's a fantastic song and not only is it one of the greatest songs from the album, it's also one of the finest Manilla Road songs ever written!

Week 27: Manilla Road - The Dream Goes On

The artist: Welcome to American traditional metal month which pays a tribute to all the great yet overlooked music from USA. These are the bands that keep the traditional metal feeling alive even today and Manilla Road will start off this themed month. If there's only one word to describe Manilla Road, it's underrated. Although their name is popular amongst underground metal fans, they're severely underrated in the outside world. The mastermind of the band Mark Shelton formed Manilla Road in 1977 and released the first album Invasion in 1980, the same year Iron Maiden would rise up with their self-titled debut.

Manilla Road seem to be America's ideal answer to Iron Maiden yet they only get 1/1000th of Maiden's popularity which is a damn shame since with the exception of their best selling album Crystal Logic, they've been completely under the radar. You'd think a song of theirs would have made an appearance in Brutal Legend considering that game had Slough Feg, Omen and Brocas Helm in it but no. Manilla Road have so many great and underrated tracks that the whole of Monday Metal Treasures could have been dedicated to them. Infact, this will be the start of Metal Monday's spinoff series called Manilla Road to the World!

The album: Invasion is Manilla Road's debut album released in 1980. This album doesn't quite show the band's musical style that would be established from Crystal Logic. Invasion contains progressive rock and space rock elements that would be absent in Manilla Road's music starting from Crystal Logic. This album is one of the weakest efforts by the band for Mark Shelton's not so great vocal performance and having overdrawn songs that could have easily been shortened. A great example is Far Side of the Sun which had half of the song omitted in its remake in the following album Metal. Despite these flaws, most songs are still worth listening to but they do require patience. The highlight from the albums are Street Jammer which would later be covered by Slough Feg on Hardworlder and today's Metal Monday song The Dream Goes On.

The song: The Dream Goes On is the album opener for Invasion. The song starts off with some strange guitar noises but then breaks with a crazy fast solo and then followed by the main riff. The riff for the song is also strange but damn catchy and good to headbang to. Despite this song being 6 1/2 minutes long, it doesn't feel like it drags on like some tracks do in this album which is a good plus. The lyrics are a typical love song involving some musical differences between a man and a woman and his dreams to be live on stage. Nothing too special but it does justice to the catchy chorus. Overall, The Dream Goes On is one of the better songs on the debut album and gets some credit for its strangely awesome riff.

Week 26: Opeth - Nectar

The artist: Opeth have become a big name in heavy metal over the last decade. Not only are they well established for the mixture of death metal, progressive rock and acoustic elements all in one, they made a breakthrough with Blackwater Park in 2001 which in ten years can already be seen as a classic metal record standing next to Rust in Peace, Paranoid, etc. Mikael Åkerfeldt has also become a big name for heavy metal musicians and with his death metal vocals passing back and fourth with clean singing, Even with a formula they've used since day one, Opeth have managed to make some twists and turns with the raw feel of the first two albums Orchid and Morningrise and the all-acoustic and no-metal Damnation (as well as possibly the upcoming album Heritage). Opeth's success has gone as far as putting them in a high class venue like the Royal Albert Hall which they had to make a live CD+DVD for and I feel proud to have seen that special show for them.

The album: Morningrise is the second Opeth album and still contains the raw sound production which Orchid had. Morningrise is very notable for having every song lasting at least ten minutes long minus the bonus demo track. Some may think these songs are long for the sake of long but this album is rich in quality, although Black Rose Immortal (the longest Opeth song to date) isn't a song for beginners. Songs such as Advent and To Bid You Farewell have become Opeth classics and one has to wonder why Mikael Åkerfeldt opposed this album at a later point. Morningrise may not be the most accessible Opeth album but it's still damn good.

The song: Nectar starts off with an interesting intro. Starting with drums then introducing the bass (which is crystal clear here) and then the guitars. The bass proves to be very useful here and is a prime example of how sound productions should be executed to make the bass audible. The song goes through changes throughout with an acoustic piece around 1:33 in which quickly goes back to the metal. There's another acoustic section six minutes in which contains a strong classical feel. It's an unpredictable move if you've not heard the song before and the acoustic section is a personal favourite for Opeth's acoustic elements. It's a very moving part that is favoured very well with the drums and the bass once again which is a huge plus.

There's so much to say about the musical structure in Nectar and the lyrics are just the icing on the cake. The song is a bout a huge negligence of love that is never spoken out to the significant other. Overall, Nectar is an excellent song from Opeth with great appreciation for the bass as well as showing some of the best acoustic pieces from the band. This song is one of many reasons why it's a close second to Blackwater Park.

Week 25: Saxon - Machine Gun

The artist: Saxon are one of many bands who were part of the New Wave of British Heavy Metal movement in the late 70s/early 80s. Although they never had the critical acclaim Iron Maiden and Judas Priest had during their golden days, Saxon have managed to stick around since the formation of the band and have released 19 albums throughout their time and recently released Call to Arms. Saxon have their top hits with 747 (Strangers in the Night), Princess of the Night and Wheels of Steel. However, there is more to Saxon than that. Listen to Battalions of Steel from Into the Labyrinth and realise the great material Saxon have going beyond their classics. The later days of Saxon have a touch of power metal to their music and considering they have Charlie Bauerfeind for their sound producer (also the producer for Blind Guardian, Helloween and HammerFall, some of the biggest power metal bands out there), the slight change of direction is no big surprise.

The album: Wheels of Steel is part of the Saxon classic trio (Wheels of Steel, Strong Arm of the Law and Denim and Leather). Unfortunately, the lesser known songs don't stand out that well in the album barring one. With songs like 747 (Strangers in the Night), Motorcycle Man, Machine Gun and the title track, it's still an album worth hearing for traditional metal fans.

The song: Machine Gun kicks off with a short solo which is immediately ended by the killer speed riff for the song. This song is another fine example of ending off an album with a speed metal number. That's not all to the riffs, though as the vocal breaks show an even better riff that would go well with action movie sequences like bread and butter. When hearing this song, it's hard to not think of an Arnold Schwartzenegger or Sylvester Stallone action movie when listening to this part as well as the lyrics. The lyrics sound like Rambo going through an enemy base and doing what it takes to kill his enemies. Why hasn't this song been used in any action films? Overall, Machine Gun is one of Saxon's greatest songs for being the speed metal closer of the album and all around sounding like an ideal song for action films that make you want to go through a battlefield and start killing enemies like crazy yourself.

Week 24: Strapping Young Lad - Aftermath

The artist: Strapping Young Lad was Devin Townsend's heavier project. Devin Townsend's solo project has a diverse sound but SYL were more focused on their musical style. It's hard to define the band with a single metal subgenre but it's easy to describe them as "Heavy as a really heavy thing." SYL originally started off as a solo project by Devin Townsend as a response to all the bullshit in the music industry. Anger is a common theme in their music and those who don't like the nature of angst may get turned off by this but see it from a different perspective and see how the use of anger energizes music, especially Strapping Young Lad's works. The rage went on for five albums and disbanded a year after the release of The New Black due to Devin wanting to focus on his solo project only. Unfortunately, the return of Strapping Young Lad isn't likely for the time being but for now, let's look back on the great music Devin & co. played.

The album: SYL was a wind of change to the musical style of the band. The industrial elements heavily declined on this release as well as implementing stronger death and thrash metal influences. Devin Townsend's vocal range was more developed as well. In addition to the musical changes, the self-titled album feels more coherent than its predecessors and stands out as the most consistent release SYL had to offer. This album features eleven tracks that were written to kick some ass really hard! The sound ranges from high tempo tracks such as Relentless and Dirt Pride and slightly more complex structures with Bring on the Young, Aftermath and Force Fed. It's hard to make an album that sounds more pissed and enraged than this masterpiece.

The song: Aftermath starts off with some relentless drumming and makes it a really cool intro for the song. It also helps with the chugging riffs you hear around 40 seconds in and this has to be one of the finest examples of chugging riffs in heavy metal. It's very technical, heavy as a really heavy thing and very memorable. Even if chugging riffs aren't your thing, this song has at least a good riff of that kind. The drums are also insane but rhythmatic (wait, that isn't a word?). Unfortunately, not much can be said about the bass considering the sound production drowns the bass. The lyrics talk about war and using it in the name of religion as well as reflecting on recent wars at the time. For a song that's 6 1/2 minutes long, the lyrics are rather minimal. That's not a bad thing, though since the main focus on the album overall is the relentless instruments. Overall, Aftermath is one of the best songs as well as one of the most chaotic from Strapping Young Lad's self-titled album with technical chugging riffs, Devin's angrier tone and incredible drumming from Gene Hoglan.

Week 23: Bathory - Baptised in Fire and Ice

The artist: Bathory was a one man band held by Quorthon. Although the history of Bathory had other band members as well, it was mostly just Quorthon who played all the music. Bathory is highly praised for being a pioneer band for not only black metal but also viking metal. To be credited for being a huge influence in two genres is quite an achievement. Quorthon recorded many great releases with Bathory such as Blood Fire Death, Hammerheart, Twilight of the Gods and Blood on Ice. His later works were a planned Nordland quadrilogy. However, Quorthon only lived long enough to finish two of those albums. He died of a heart failure on 3rd June 2004 and it only makes sense for me to pay a tribute to Quorthon this week to remember him and his contribution to heavy metal.

The album: Hammerheart was released in 1990 and is one of the groundbreaking metal releases in 1990 along with Rust in Peace and Painkiller for its major contribution to viking metal. Hammerheart continues the path to move away the black/thrash metal sound the first few Bathory albums had and also maintains the more complex structures of songs Blood Fire Death boasts. Although Hammerheart is the most recognisable Bathory album, especially with One Rode to Asa Bay having a music video on MTV, it's hard to help but think one song doesn't get as much appreciation as the other songs. After all, it's one song the all-star tribute band Twilight of the Gods didn't play for the live shows or played the least.

The song: Baptised in Fire and Ice starts off with a catchy beat which is shortly followed by Quorthon's chants with "Fire and Ice". The chants in the song give off a great atmosphere and although it's not the only song that uses choirs and chants in Hammerheart, there's something about this song that has a stronger choir feel to it that's almost as good as what you hear in One Rode to Asa Bay. This song reflects rebirth and the early life of a viking who travels across the seas far away from home, traveling across snow and crossing through fire. The said viking also remembers these days later on in his life when he was baptised.

Baptised in Fire and Ice has mid-pace riffs that are heard throughout the album but from the guitar performance, the highlight has to be the solo halfway through the song. It lasts for a minute and even goes side by side with the choir which again, gives off a great atmosphere to the song and has to be one of the best moments in Hammerheart. Overall, Baptised in Fire and Ice is rather under appreciated and deserves more credit for the chilling choirs which even goes along with the solo for the song. It's not a song to skip when listening to this album.